Capturing the essence of AntiguaIs it possible for someone who doesn’t live in a place, who only visits from time to time, to capture its essence? In some ways, being an outsider is an advantage because all we see is fresh and new. In the environments in which we live we often take for granted what exists around us and hardly notice it. As Freeman Patterson notes in his book Photography and the Art of Seeing, there are a number of barriers to seeing: preoccupation with self, the mass of stimuli surrounding us, familiarity, even the camera itself. ‘Seeing’, argues Patterson, ‘means using your senses, your intellect, and your emotions. It means encountering your subject matter with your whole being’. I have been fortunate to have been involved in a research and intervention project with the Ministry of Education of Antigua and Barbuda since 2009 and have made eight trips to Antigua (though never to Barbuda!). Whilst work has meant limited opportunities to engage fully with all the island has to offer, my growing interest in photography and the desire and intent to really ‘see’ what is around me have led me to build up a set of images and to reflect on the essence of what is Antigua. So here, for me, is what seems to capture the island. History – evident in the number of disused sugar mills dotted around the landscape; reminders of Antigua’s dark past, when black slave labour was used by English plantation owners to produce sugar for European markets.
Culture
A stunning landscape comprising
Tourism, the mainstay of the economy
Colour – evident in the flora and fauna and in the schools, as well as in in the wooden houses dotted across the island
Sun – though it does sometimes rain, and indeed, the country is vulnerable to hurricanes in the autumn, it’s always warm and often hot, and so the sun, too, is part of what defines Antigua.
Keywords:
Antigua,
Nikon D7100
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