Is it possible for someone who doesn’t live in a place, who only visits from time to time, to capture its essence? In some ways, being an outsider is an advantage because all we see is fresh and new. In the environments in which we live we often take for granted what exists around us and hardly notice it. As Freeman Patterson notes in his book Photography and the Art of Seeing, there are a number of barriers to seeing: preoccupation with self, the mass of stimuli surrounding us, familiarity, even the camera itself. ‘Seeing’, argues Patterson, ‘means using your senses, your intellect, and your emotions. It means encountering your subject matter with your whole being’.
I have been fortunate to have been involved in a research and intervention project with the Ministry of Education of Antigua and Barbuda since 2009 and have made eight trips to Antigua (though never to Barbuda!). Whilst work has meant limited opportunities to engage fully with all the island has to offer, my growing interest in photography and the desire and intent to really ‘see’ what is around me have led me to build up a set of images and to reflect on the essence of what is Antigua.
So here, for me, is what seems to capture the island.
History – evident in the number of disused sugar mills dotted around the landscape; reminders of Antigua’s dark past, when black slave labour was used by English plantation owners to produce sugar for European markets.
Betty's Hope sugar mills
Culture
Steel pans at Shirley Heights
In St John'sMJ Warrington
In St John'sMJ Warrington
Roadside stall, St John's
Monument in St John'sMJ Warrington
The national stadiumMJ Warrington
St John's Anglican cathedral
A stunning landscape comprising
Sherkerley mountainsMJ Warrington
English harbour
Devil's BridgeMJ Warrington
Galley BayMJ Warrington
Tourism, the mainstay of the economy
Cruise line, St John'sMJ Warrington
Surfing the waves
Cocktails at dusk
Cows in the road!
Fishing boats, St John's
Loading palm leavesMJ Warrington
Shacks outside St John's
Colour – evident in the flora and fauna and in the schools, as well as in in the wooden houses dotted across the island
BougainvilliaMJ Warrington
A bananaquit
Mural on a school wall
Colourful house and gardenMJ Warrington
Sun – though it does sometimes rain, and indeed, the country is vulnerable to hurricanes in the autumn, it’s always warm and often hot, and so the sun, too, is part of what defines Antigua.
Sunset, Galley Bay
I’ve had a fascination for photography since I had a Brownie 127 as a child, and watched my father developing his own black-and-white photos in the bathroom. So my journey began early but scarcely progressed for many years. I enjoyed taking photos of family gatherings, or whilst travelling, but although I had a bit of a feel for composition, I knew next to nothing about the technical aspects of photography. I took some good photos, but it was all a bit hit-and-miss. I remember waiting, full of anticipation for the prints from the processed films that came back from the developing lab at the end of a holiday – only to throw half of them away in disappointment. My father gave me my first digital camera in 2005 and this provided an exciting new opportunity to experiment, to see the results straight away. One of my first photos with this Fuji camera is of a poppy field in North Norfolk.
Norfolk poppiesMy first digital photo
My photographic journey received new impetus on 1st January 2013, when I joined 365project.org, an online community of photographers, amateur, professional and all stages in between, who post a photo each day and comment on others’ shots. The first photo I posted was of the grandfather clock as it struck in the New Year at some friends' house.
2013 beginsFirst post on my 365 project
At the time I was using a Sony point-and-shoot camera on auto, with editing limited to simple auto-fixes. Joining that community opened up a whole new world for me, and I’ve learnt a huge amount from the discussion forums on that site and from the comments people have made on my photos. I’ve bought new processing packages and new gear, including speed-lights and a tripod, and now shoot mainly with a Nikon D7100, using a variety of prime and zoom lenses.
My journey has given me a voracious appetite for reading about things photographic, on online photography sites, in magazines and in books. I’ve learnt about the principles of exposure and of composition; I’ve explored macro, black-and-white, low light and portrait photography. Putting what I’ve learnt into practice has been more challenging: I increase the ISO and omit to decrease it again when the light changes, I forget to watch the shutter speed when in aperture priority mode or I overexpose the highlights. I come home excited to see my shots on the computer and still all too frequently that what I thought I’d captured hasn’t come out as I’d envisaged it would. But I’m getting there: I do have photographs I’m proud of, some of which are displayed on this site. I’ve also found I can bring pleasure to others through my photographs, as well as finding a rewarding, absorbing, stimulating and creative way of spending my leisure time.
My inward journey, often expressed now through my photographs, continues.